Way of Seeing

Created during the early stages of my research, these works depict bodies suspended before nearly vacant architectural spaces, approaching thresholds, crossing sites of waiting, or confronting precipices. More than representations of place, these constructed environments function as conditions of transition. I am interested in the suspended instant in which transformation is imminent yet indefinitely deferred, as though time itself were pausing before a moment of irreversible change.

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At that time, my attention was directed toward forms of vulnerability and the ways in which certain bodies are oriented, constrained, or displaced within the world. Water had not yet emerged explicitly, yet absence had already become a defining presence. Looking back, I recognize that this sense of emptiness anticipated questions that would later find in water, and above all in its scarcity, a new conceptual horizon.

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Long before I began reflecting on rivers, pollution, or ecological collapse, I was already seeking to understand what is absent for life to unfold in its fullness.